Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Louis-Edouard Dubufe
Portrait of Eugenie de Montijo

ID: 80340

Louis-Edouard Dubufe Portrait of Eugenie de Montijo
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Louis-Edouard Dubufe Portrait of Eugenie de Montijo


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Louis-Edouard Dubufe

1819-1883 French Son of Claude-Marie Dubufe. He was trained by his father and then by Paul Delaroche. He first appeared at the Salon in 1839 with the Annunciation, a Huntress and a portrait, winning a third class medal. He followed this in 1840 with an episode in the life of St Elisabeth of Hungary, which won him a second class medal; in 1844 he won a first class medal with Bathsheba and a genre scene set in the 15th century (all untraced).  Related Paintings of Louis-Edouard Dubufe :. | Stgudie to the death of the Sardanapal | Portrait of Maria Andreyevna Rumyantseva | The Stranger (mk43) | The Old Convalescents | Trees and Undergrowth |
Related Artists:
PEETERS, Clara
Flemish Baroque Era Painter, 1594-1657
IL Pensionante del saraceni
active 1610-1620s in Rome
Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s






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